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	<title>2023 &#8211; Alberto Centeno</title>
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		<title>Memento mori</title>
		<link>https://albertodcenteno.com/en/obra/memento-mori-2/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 19:01:50 +0000</pubDate>
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					<description><![CDATA[One of the highlights of this project is that the entire team worked side by side to achieve the look...]]></description>
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<p>One of the highlights of this project is that the entire team worked side by side to achieve the look we envisioned for the series. We decided that the cold and rain should be felt, should transcend the screen, and become an element that would define both the aesthetics and the emotions of the characters. A mutilated body appears at dawn on the banks of the Pisuerga River in Valladolid. The evidence makes it clear that this is not an isolated death, and soon more bodies will appear. Based on César Pérez Gellida’s namesake saga, <em>Memento Mori</em>  tells the story of the homicide unit’s duel with a ruthless serial killer.</p>
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		<title>Heartache</title>
		<link>https://albertodcenteno.com/en/obra/heartache-2/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 10:10:20 +0000</pubDate>
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					<description><![CDATA[Iker Karrera (choreographer) and I worked together on a project a few years ago, and the connection was almost immediate....]]></description>
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<p>Iker Karrera (choreographer) and I worked together on a project a few years ago, and the connection was almost immediate. This piece arose from the need to collaborate again. <em>Heartache</em> is an exercise in style that reflects our way of understanding image and movement.</p>
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		<title>Dad</title>
		<link>https://albertodcenteno.com/en/obra/dad-2/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Sat, 09 Nov 2024 20:22:21 +0000</pubDate>
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					<description><![CDATA[On June 18, 1982, my father passed away at the age of 45, when I was almost three years old....]]></description>
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<p>On June 18, 1982, my father passed away at the age of 45, when I was almost three years old. Today, 40 years later, as I approach the age he was when he died and with a three-year-old child of my own, I reflect on what his absence has meant in my life. I am proof that a father is not necessary, but I am also proof that he is. <em>DAD</em> is a work in progress about absence and loss, about being and becoming. A transformation of my memories and the unanswered questions I have accumulated throughout my life.</p>
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