https://albertodcenteno.com Thu, 06 Feb 2025 23:36:14 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.2 https://albertodcenteno.com/en/obra/rain-2/ Wed, 05 Feb 2025 04:14:21 +0000 https://albertodcenteno.com/?post_type=obra&p=355 Piece created for the FAMA 2019 finale. We used exclusively laser lighting and created a small pool to enhance the effect. Music from Blade Runner 2049‘s OST by Hans Zimmer, directed by Fran Parra.

]]> https://albertodcenteno.com/en/obra/no-stylist-2/ Wed, 05 Feb 2025 03:41:16 +0000 https://albertodcenteno.com/?post_type=obra&p=354 2019, choreographer Ruth Prim leading the movement.

]]> https://albertodcenteno.com/en/obra/dog-days-are-over/ Tue, 04 Feb 2025 13:38:56 +0000 https://albertodcenteno.com/?post_type=obra&p=349 Dog Days Are Over—not much else to add. We had an absolute blast shooting this piece for Fama 2019. Great vibes, great music, and tons of talent.

]]> https://albertodcenteno.com/en/obra/monolink-2/ Mon, 03 Feb 2025 02:14:13 +0000 https://albertodcenteno.com/?post_type=obra&p=350 Dance piece for the Fama 2019 program. Movement by Carla & Sandra.

]]> https://albertodcenteno.com/en/obra/reprieve-2/ Tue, 24 Dec 2024 09:34:50 +0000 https://albertodcenteno.com/?post_type=obra&p=344 Within the context of a VOD television program, we were given the freedom to create a new piece every week. It was a time of creative effervescence, with the intention of outdoing ourselves every seven days. We took a risk by choosing this Ani DiFranco song, deviating from what was expected for a format like this. I love what we did, and I am proud that both we and our bosses dared to take the leap.

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