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	<title>Short Film &#8211; Alberto Centeno</title>
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		<title>Tamed</title>
		<link>https://albertodcenteno.com/en/obra/tamed/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 11:52:30 +0000</pubDate>
				<guid isPermaLink="false">https://albertodcenteno.com/?post_type=obra&#038;p=345</guid>

					<description><![CDATA[For this short film shot in the Tabernas Desert (Almería), the director wanted to move away from the panoramic format...]]></description>
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<p>For this short film shot in the Tabernas Desert (Almería), the director wanted to move away from the panoramic format and opt for a square frame. This decision distanced us from the western genre and allowed us to emphasize the textures of the landscape, adding an extra layer of rawness to the story.</p>
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		<title>Brood</title>
		<link>https://albertodcenteno.com/en/obra/brood/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 11:05:00 +0000</pubDate>
				<guid isPermaLink="false">https://albertodcenteno.com/?post_type=obra&#038;p=351</guid>

					<description><![CDATA[Daniel M. Novel is a good friend and a great director and screenwriter. He trusted me to be the cinematographer...]]></description>
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<p>Daniel M. Novel is a good friend and a great director and screenwriter. He trusted me to be the cinematographer for this short film. It is a very special project for me. We had several directors in mind, such as Audiard, Melville, and Polanski&#8230; I believe we at least managed to capture the tension that these great masters generate.</p>
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		<title>The fallen angel</title>
		<link>https://albertodcenteno.com/en/obra/the-fallen-angel/</link>
		
		<dc:creator><![CDATA[AlbertoCenteno]]></dc:creator>
		<pubDate>Wed, 04 Dec 2024 10:33:55 +0000</pubDate>
				<guid isPermaLink="false">https://albertodcenteno.com/?post_type=obra&#038;p=342</guid>

					<description><![CDATA[Fran Parra (director and screenwriter) was one of the first people I met in this industry and one of the...]]></description>
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<p>Fran Parra (director and screenwriter) was one of the first people I met in this industry and one of the first to believe in me. The script for <em>El ángel caído</em> was, without a doubt, the first one I was given to read as a cinematographer when I barely knew what that even meant. We were inspired by post-war Spanish cinema, by authors such as Luis García Berlanga and Ladislao Vajda. Visually, we prioritized the theatricality of lighting, supported by black and white, which turned the image into something abstract. It took us several years to finally shoot this film, but the wait was worth it.</p>
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